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Saturday, January 9, 2010
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A. R. Rahman was born to R. K. Shekhar, a composer, and conductor for Malayalam-language films. His father was a famous music director in Kerala. But he did not get enough opportunities there. His father died when Rahman was nine years old, and his family rented out musical equipment as a source of income. Rahman is an adherent of Sufism. His family converted to Islam from Hinduism in the late 1970s.
During these early years, Rahman served as a keyboard player and an arranger in bands such as "Roots" and "Nemesis Avenue" with friends including Sivaman, embracing numerous music genres. He played the keyboard and piano, in addition to, among others, the synthesizer, the harmonium and the guitar. His curiosity in the synthesizer in particular increased because, he says, it was the “ideal combination of music and technology.He began early training in music under Master Dhanraj. At the age of 11, he joined, as a keyboardist, the troupe of Ilaiyaraaja, one of many composers to whom musical instruments belonging to Rahman's father were rented to. Rahman later played in the orchestra of M. S. Viswanathan and Ramesh Naidu, accompanied Zakir Hussain, Kunnakudi Vaidyanathan and L. Shankar on world tours and obtained a scholarship to Trinity College of Music in London, where he graduated with a degree in Western classical music. Once in an interview with Vijay TV's Coffee with Anu, Rahman described P. Susheela as his most favourite singer ever, whom he worked with in the Tamil film Pudhiya Mugam.
However, In an interview in the USA, May 2007 during his tour to USA, he complimented the singer Sadhana Sargam as the only one that surpasses his imaginations and expectations when it comes to singing.
Music style
Rahman's instant success is owed to his clever usage of Western instruments. His interest in the works of Classical and Romantic period composers, Carnatic composers, early film composers and predecessors K. V. Mahadevan and Vishwanathan-Ramamoorthy of the film industry of Tamil Nadu and others continued through his late teens. He further explored and trained in Carnatic music, Western classical, Hindustani music and the Qawwali style of Nusrat Fateh Ali Khan, in addition to numerous other styles. His interest and outlook in music is said to stem from his love of experimentation. As a result, his scores have alternated from songs and themes composed covering a variety of genres, with unconventionally-grouped instruments, and different vocal styles being used and combined together in some of his film soundtracks, to more traditional orchestral themes with leitmotif techniques composed in others. Rahman's works often feature a mix of minimalist songs and evocative, thematic pieces, building on his differing chord progressions and rhythms. He has written scores and songs with new and varied melodic and percussive sounds from instruments of different music systems.
